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Wednesday, November 6, 2024

Bird: Horses and Feathers and Bugs, Oh My

Bird, the latest feature from celebrated British filmmaker Andrea Arnold (Red Road), sees the director circling back to her old stomping grounds with a...

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The Talk of the Ton – Bridgerton Review

Dearest Gentle Reader, A cliché, but one cannot begin a review of Bridgerton without those three words. Bridgerton is a romance series, I would say...

Toronto Film Festival 2024 | The Life of Chuck

I did not go to the festival expecting to see the People’s Choice Winner. I was pretty sure I wouldn’t because I focused on...

Toronto Film Festival 2024 | Daughter’s Daughter 

Xi Huang showed a lot of technical skill in making Daughter’s Daughter. The composition of every shot was impeccable, right down to the wardrobe...

Toronto Film Festival 2024 | The Substance

The Substance, one of the most anticipated releases of the year, is finally set to arrive in Canadian cinemas this week. Starring Demi Moore...

Toronto Film Festival 2024 | Sketch

A certain magic happens when you mix a little horror/adventure with compelling child actors, you get films like The Goonies, Jumanji, or Super 8,...

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A Room of Our Own: Rediscovering Identity and Legacy Through Music, Dance, and Film

In A Room of Our Own, Jude Adams takes us on a deeply personal journey, revisiting and reimagining songs from her past albums through acoustic...

Fighting Demons: Jay Chorney on Redemption, Resilience, and the Inner Battle in “Never Back Down”

Introduction: In his short film Never Back Down, Jay Chorney introduces us to John Enzio, a man caught between the shadows of his past...

Never Back Down: A Different Kind of One-Man Show

Necessity is the mother of invention, as Jay Chorney proves with his short film Never Back Down. Shooting nearly entirely on a smartphone, Chorney...

Heirloom: Navigating Family, Identity, and Surrogacy in LGBTQ+ Narratives

Introduction: In "Heirloom," the filmmaker delves into the complexities of family, identity, and the evolving dynamics of LGBTQ+ relationships through a compelling narrative that...

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The Hawks and the Sparrow, Pasolini’s most difficult signature work

An almost full moon in a cloudy sky offers a static background to the most dynamic opening credits of The Hawks and the Sparrows...

What are the Beasts in Beasts of the Southern Wild?

The most interesting interpretations of Benh Zeitlin’s Beasts of the Southern Wild, those from Silpa Kovvali for the Atlantic and Kelly Candaele for the...

Revisiting 101 Dalmatians 

With the live-action Cruella newly arrived on Disney+ via Premier Access, it’s worth looking back on 1996’s 101 Dalmatians starring Glenn Close as Cruella. Critics at the time...

Robert Altman’s Re-invention of Private Eye in The Long Goodbye

Raymond Chandler’s Philip Marlowe is one of the best loved and most enduring of private eyes. Chandler’s plots can sometimes be confusing. Howard Hawks...

Niagara Falls International Short Festival Online Screening

The Niagara Falls International Short Festival is a seasonal online film festival dedicated to showcasing short films. With an emphasis on brevity and creativity,...

Interview with Kim Ji-Yong, “Decision to Leave” cinematographer

Decision to Leave is the latest film from South Korean director/writer/producer Park Chan-wook. In making this film, he worked with cinematographer Kim Ji-yong. We...

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Enter the Pixar Brain Trust with ‘Inside Out 2’ Writer Meg LeFauve

IndieWire

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Enter the Pixar Brain Trust with ‘Inside Out 2’ Writer Meg LeFauve
Bob Marley and ‘Madame Web’ Are the Best Hopes for February Box Office

IndieWire

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Bob Marley and ‘Madame Web’ Are the Best Hopes for February Box Office
‘I hope this changes perceptions’: documentary focuses on the real Elizabeth Taylor

The Guardian

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‘I hope this changes perceptions’: documentary focuses on the real Elizabeth Taylor  
The best movies of 2024 (so far)

TimeOut

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The best movies of 2024 (so far)  
'The Lincoln Lawyer' Season 3 Trailer Has Mickey Haller in Trouble — Again

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'The Lincoln Lawyer' Season 3 Trailer Has Mickey Haller in Trouble — Again