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Interviews

Film

From Winnipeg to Tehran: Matthew Rankin Discusses the Cross-Cultural Fantasia of Universal Language

Amir Ganjavie - 0
Festivals

Nineteen: Crazy world of 19-year-old, from literature to Pasolini

Mo Abdi - 0
Film

Interview with Milad Tangshir, Director of the Film ‘Anywhere, Anytime’: A Story of Migration and Cinema in Italy

Mamad Haghighat - 0
Film

The Making of ‘STAY’: An Interview with Dylan Kaufmann on Crafting an Animated Story of Hope and Resilience

Patrick Roy - 0
Film

Navigating the Evolving Landscape of Cinema: An Interview with Hussain Amarshi, Founder of Mongrel Media

Amir Ganjavie - 0
Festivals

Interview with Yorgos Krassakopoulos: Insights from the Head of Programming at Thessaloniki International Film Festival

Amir Ganjavie - 0
Film

Unveiling the Layers of Comedy and Commentary: A Conversation with Diane Thomassin on My Favorite Narcissist

Patrick Roy - 0
Festivals

Interview with Josef Kullengård, Head of Industry at the Goteborg Film Festival

Amir Ganjavie - 0
Festivals

Latin Quarter with Juan Castro

Amir Ganjavie - 0
Festivals

The Young Generation with Sebastian Markt

Amir Ganjavie - 0
Film

Barbara Kopple – Exclusive Interview

Mo Abdi - 0
Film

From the Danube Delta to Cannes: An Interview with Miruna Berescu on Filmmaking, Festivals, and Romania’s Cinematic Landscape

Amir Ganjavie - 0
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The magazine UniversalCinema was founded with a simple goal: Making film writing accessible to all who love the movies. What has long distinguished cinema from other arts is its intimate connection with modern technology and mass production. It is uniquely able to speak to masses of people. Not for nothing did Russian revolutionary Vladimir Lenin call it “the most important of all the arts.”

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