The Red Sea International Film Festival hosted an electrifying masterclass with the iconic Spike Lee, a trailblazer in cinema whose work has inspired generations. Known for groundbreaking films like Do the Right Thing, Malcolm X, and BlacKkKlansman, Lee is celebrated not only for his cinematic achievements but also for his commitment to social justice and his ability to blend art with activism. The session, marked by his signature wit and candid reflections, was a profound exploration of his career, creative process, and the enduring power of storytelling.
Lee began by sharing his passion for fostering new talent, both on-screen and behind the camera. “From the very beginning, I wanted to give opportunities to new voices,” he said. “This business is tough, and often talent goes unrecognized without a break.” Lee cited numerous examples of actors whose careers began with his films, including Halle Berry, Martin Lawrence, and Mekhi Phifer. His dedication to nurturing talent extends beyond the actors, as he highlighted the importance of diversifying the industry and providing opportunities for people of color behind the scenes.
Collaboration has always been central to Lee’s process. He spoke warmly about his partnerships with actors like Denzel Washington, with whom he has worked on five films, including the upcoming Da Bloods. Their bond goes beyond professional collaboration; as Lee shared, “It’s not just a working relationship—it’s family. We call it the Washington-Lee love.” Reflecting on Washington’s son, John David Washington, starring in BlacKkKlansman, Lee emphasized the continuity of their shared history.
Lee also delved into his filmmaking philosophy, often rooted in his experience as a student at NYU’s Tisch School of the Arts. “I was introduced to world cinema there, and it changed my life,” he said, citing Akira Kurosawa’s Rashomon as a transformative influence. This exposure to global storytelling shaped his approach, evident in his reinterpretation of Rashomon in his latest film, Highest Loins, a tale exploring perspectives through a dynamic narrative structure.
The masterclass was rich with personal anecdotes, including Lee’s arduous journey to bring Malcolm X to the screen. He described the challenges of securing funding, even contributing half his salary to keep the project alive. When Warner Bros. shut down production, Lee turned to prominent African Americans, including Michael Jordan, Magic Johnson, and Janet Jackson, for financial support. “I was begging,” he admitted, recounting how their contributions saved the film. The experience underscored his belief in the importance of self-determination and community support.
Music emerged as another cornerstone of Lee’s artistry. Growing up in a household where his father, jazz bassist Bill Lee, played with legends like Bob Dylan and Aretha Franklin, music became integral to his storytelling. “Music is as important as writing or cinematography,” he said. “It’s a character in itself.” From Mo’ Better Blues to Do the Right Thing, Lee’s films are celebrated for their unforgettable soundtracks, which often deepen their emotional resonance.
As a professor at NYU for over three decades, Lee shared insights into mentoring emerging filmmakers. “Filmmaking is no joke,” he said. “You have to put in the work. It’s a collective effort, not a solo act.” He encouraged young artists to build creative partnerships, citing his collaboration with cinematographer Ernest Dickerson as a foundational element of his early career. “It’s about forming a team, people you trust to bring your vision to life.”
Lee’s activism remains inseparable from his filmmaking. He reflected on his documentary work, particularly 4 Little Girls, which chronicles the 1963 bombing of a Birmingham church that killed four young Black girls. “That was the hardest work I’ve ever done,” he admitted. The film’s emotional impact was profound, and its release led to the FBI reopening the case, eventually convicting the perpetrators decades later. “It’s about telling stories that matter,” he said. “Stories people forget too quickly.”
In discussing his role as President of the Red Sea Film Festival jury, Lee celebrated the festival’s growth and its commitment to showcasing global cinema. He also reminisced about filming Malcolm X in Saudi Arabia, marking the first time a film crew was allowed to shoot in Mecca. “It’s a blessing to be here,” he said, reflecting on his connection to the region and the festival’s role in fostering cross-cultural dialogue.
The masterclass concluded with a powerful reflection on gratitude and purpose. “If you can make a living doing what you love, that’s a blessing,” Lee said. “It’s not just about making films—it’s about telling the stories that need to be told and leaving something meaningful behind.” His words resonated deeply, inspiring the audience to pursue their passions with conviction and integrity.
Spike Lee’s session was a testament to his enduring influence as a filmmaker and activist. Through his stories, humor, and wisdom, he offered invaluable lessons on creativity, collaboration, and the responsibility of artists to reflect the world around them. It was a masterclass not just in filmmaking but in the art of living with purpose.
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