Universal Cinema https://validator.w3.org/feed/docs/rss2.html Home Berlinale 2025 | Living the Land Berlinale 2025 | Two Times João Liberada Berlinale 2025 | Blue Moon: A Melancholic Ode to Art, Beauty, and Longing Berlinale 2025 | The Memory of Butterflies Abandoned Instruments: AI, Music, and the Future of Human Creativity Berlinale 2025 | Ancestral Visions of The Future Berlinale 2025 | No Beast. So Fierce: Burhan Qurbani and a Modern Take on Shakespeare Berlinale 2025 | Under the Flags, the Sun Berlinale 2025 | Where the Night Stands Still Berlinale 2025 | Paul Berlinale 2025 | Special Operation Berlinale 2025 | Hysteria  Berlinale 2025 | The Message Berlinale 2025 | Mickey 17: The Paradox of Progress, the Ethics of Cloning, and the Return to Nature Berlinale 2025 | How to Be Normal and the Oddness of the Other World Berlinale 2025 | Fwends Berlinale 2025 | The Good Sister Breakfast with Giraffes: Iranian absurdism for absurd times Meet Me En Rêve: The Thin Line Between Fantasy and Reality My Favorite Cake: That daring quest called life Berlinale 2025 | What Marielle Knows: A Philosophical Reflection on Truth, Lies, and Social Cohesion Julie Delpy: “It’s used to be a big handicap to be a pretty woman Mário, an Entangled Life Berlinale 2025 | Dreams Rick Amsbury discusses his performance in Perchance to Dream Inside the Lens: RaMell Ross on Adapting The Nickel Boys for the Screen Cannes’ Directors’ Fortnight with Julien Rejl From Winnipeg to Tehran: Matthew Rankin Discusses the Cross-Cultural Fantasia of Universal Language Sundance Film Festival 2025 | Sundance Shorts Brooklyn International Short Festival at Stuart Cinema Beáta Imre and the challenges of working in Perchance to Dream Showcasing the True North: A Conversation with Ashleigh Rains on Canadian Film Fest’s Mission and Legacy Memory in Flux: Review of Perchance to Dream Ice Breath: An Existential Meditation on Eternity and Extinction Nyctophobia: An Experimental Journey Into Fear and Anxiety Three Kilometers to the End of the World: Homophobia and the New Wave of Romanian Cinema Agency and Responsibility for Crimes: Analyzing Rasoulof’s Cinema Through the Lens of Hannah Arendt and Jean-Paul Sartre Yorgos Lanthimos and the Absurd Symphony of Control in Kinds of Kindness A Different Man – Review UPROXX TimeOut SLANT The Guardian IndieWire Cometa 1600: A Kaleidoscopic Vision of the Future “Emilia Pérez”: Hollywood’s Transgender Storm Against Trump or the Disaster of the Century? Sundance Film Festival 2025 | Heating Up in Ice Cold Sundance The Hard Truths Within Why Jeanne Dielman Is Not the Greatest Film in Cinema History